![]() To use the layer as a base for the drawing, increase the contrast a little, by going to > Adjustments > Desaturate (Ctrl/ Cmd+Shift+U). (5) Duplicate the background layer again, calling it "Sketch Layer," and drag this duplicate to the top of the stack. Set the layer's blending mode to Multiply with an opacity of 15%. Image > Adjustments > Desaturate (Ctrl/Cmd+Shift+U). This layer only needs to be black and white, so go to ![]() Image > Adjustments > Invert (Ctrl/Cmd+I). (3) Right-click/Ctrl-click the background layer and choose Duplicate Layer, calling the layer "Glowing Edges."ĭrag this new layer to the top of the stack and go toĮdge Width 3, Edge Brightness 11, Smoothness 10. Increase the Pattern Scale to 340% and click OK. (2) Click the "Create new fill or adjustment layer" icon at the base of the Layers palette and choose Pattern from the list.Ĭlick in the Pattern Swatch in the dialog box, hit the right-pointing arrow, and select Grayscale Paper. In the Color Picker, choose a light gray. Go to Layer > New Fill Layer > Solid Color, (1) Open your original image in Photoshop. If they don't, be sure you have JAVA turned on, and Pop-up blocking turned off. Note: Due to the size and number of diagrams, we've made these thumbnails clickable, and should open the actual diagram in a new, pop-up window. ![]() This is what we'll produce here, digitally.ĭon't worry if your drawing abilities aren't up to snuff, all that's required here is the ability to scribble! Pencil sketches work especially well when very soft leaded pencils are used on a tinted paper, with a few touches of white chalk here and there to heighten the tones. The so-called "Sketch Filters" in Photoshop consistently yield very disappointing results re-creating the quintessential sketch demands a little more inventiveness and an approach that mimics traditional techniques. In days of yore, student painters spent years drawing with graphite to hone their skills. Through the centuries, the litmus test of an artist's ability was demonstrated best through the medium of drawing. Tim Shelbourne writes.Īsk any artist and they'll tell you that all the tubes of paint in the world cannot replace the simple pencil when it comes to artistic potential. Ladies and Gentlemen, we introduce you to Tim Shelbourne and welcome his Photoshop expertise to this issue of DTG! Welcome Tim, and thank you so much for sharing this tutorial. ![]()
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